16 Subplot that Reddit Users Can’t Stand

1. **Batman v Superman: Dawn of Justice 2016**: Batman v Superman: Dawn of Justice had the potential to be an epic showdown, but the subplot involving Lex Luthor’s convoluted schemes and the introduction of Doomsday felt forced and detracted from the main conflict. The film’s dark tone and lack of coherent storytelling made it a missed opportunity for a truly great superhero film.

2. **Justice League 2017**: Justice League aimed to unite DC’s greatest heroes, but the subplot involving the resurrection of Superman and the rushed introduction of new characters felt disjointed. The film’s uneven pacing and reliance on CGI over character development left it feeling like a missed opportunity to create a cohesive and engaging superhero team-up.

3. **Thor: The Dark World 2013**: Thor: The Dark World had the potential to be a thrilling cosmic adventure, but the subplot involving Jane Foster’s possession by the Aether felt unnecessary and detracted from the main storyline. The film’s lack of focus and underdeveloped villain made it one of the weaker entries in the Marvel Cinematic Universe.

4. **Avengers: Age of Ultron 2015**: Avengers: Age of Ultron brought together Earth’s mightiest heroes once again, but the subplot involving Black Widow and Hulk’s romance felt forced and out of place. The film’s overstuffed plot and lack of character development made it less impactful than its predecessor, despite its thrilling action sequences.

5. **X-Men: The Last Stand 2006**: X-Men: The Last Stand is a whirlwind of mutant action, but its overstuffed plotlines, especially the ‘mutant cure’ subplot, detract from its potential. The film juggles too many characters and subplots, leaving little room for emotional depth or character development. Despite its thrilling action sequences, the movie feels rushed and lacks the coherence of its predecessors. The subplot about the ‘mutant cure’ adds unnecessary complexity and dilutes the overall impact of the film.

6. **Pirates of the Caribbean: Dead Man’s Chest 2006**: Pirates of the Caribbean: Dead Man’s Chest is a visual spectacle, but its convoluted subplots, particularly the love triangle between Jack, Elizabeth, and Will, bog down the narrative. The film’s attempt to outdo its predecessor results in a cluttered storyline that sacrifices character development for action. The subplot about the love triangle feels forced and detracts from the film’s adventurous spirit.

7. **Pirates of the Caribbean: At World’s End 2007**: Pirates of the Caribbean: At World’s End is an ambitious finale, but its numerous subplots, including the Brethren Court and Calypso’s storyline, overwhelm the main plot. The film’s overreliance on spectacle and complex narratives makes it difficult to follow and emotionally connect with the characters. The subplot about the Brethren Court feels unnecessary and detracts from the film’s core adventure.

8. **The Godfather Part III 1990**: The Godfather Part III attempts to conclude the epic saga, but its subplot involving Michael’s relationship with his daughter Mary feels out of place. The film struggles to match the brilliance of its predecessors, with the subplot about Michael and Mary’s relationship adding an uncomfortable and distracting element. Despite its strong performances, the movie’s overstuffed plotlines hinder its overall impact.

9. **Terminator 3: Rise of the Machines 2003**: Terminator 3: Rise of the Machines delivers high-octane action, but its subplot about John Connor’s romantic relationship with Kate Brewster feels unnecessary. The film’s focus on action over character development results in a less engaging narrative. The subplot about John and Kate’s relationship adds little to the overall story and detracts from the film’s core themes of survival and resistance.

10. **Terminator Salvation 2009**: Terminator Salvation, despite its thrilling action sequences and impressive visual effects, is marred by a convoluted subplot involving Marcus Wright’s identity crisis. This subplot detracts from the main narrative, making the film feel disjointed and less impactful. While the movie expands the Terminator universe, it ultimately falls short of its predecessors due to this unnecessary complexity.

11. **Terminator Genisys 2015**: Terminator Genisys attempts to reboot the franchise with a fresh timeline, but the subplot involving John Connor’s transformation into a Terminator is a major misstep. This twist undermines the character’s legacy and confuses the plot, making it difficult for viewers to stay engaged. Despite some nostalgic moments and decent action, the film’s convoluted narrative fails to deliver.

12. **Alien³ 1992**: Alien³ takes bold risks with its storyline, but the subplot involving Ripley’s impregnation by an alien queen feels forced and unnecessary. This subplot detracts from the film’s tension and emotional impact, making it a less satisfying entry in the Alien franchise. Despite its atmospheric visuals and strong performances, the film’s narrative choices leave much to be desired.

13. **Alien Resurrection 1997**: Alien Resurrection brings Ripley back through cloning, but the subplot involving the hybrid alien-human creature is a major flaw. This subplot feels out of place and detracts from the film’s horror elements, making it a weaker entry in the series. While the film has its moments of creativity, it ultimately fails to capture the essence of the original Alien films.

14. **Prometheus 2012**: Prometheus is visually stunning and ambitious, but the subplot involving the Engineers’ creation of humanity is poorly executed. This subplot raises more questions than it answers, leaving viewers frustrated and confused. Despite its impressive visuals and thought-provoking themes, the film’s narrative shortcomings prevent it from reaching its full potential.

15. **Alien: Covenant 2017**: Alien: Covenant (2017) is a visually stunning film that unfortunately falls short due to its convoluted subplots. The movie’s attempt to bridge the gap between Prometheus and the original Alien series is marred by unnecessary diversions, such as the confusing dual role of Michael Fassbender as both David and Walter. These subplots detract from the main narrative, making the film feel disjointed and less impactful. Despite its impressive special effects and intense action sequences, Alien: Covenant ultimately fails to deliver a cohesive and engaging story.

16. **Blade: Trinity 2004**: Blade: Trinity (2004) is a disappointing conclusion to the Blade trilogy, plagued by a multitude of subplots that dilute its core narrative. The introduction of the Nightstalkers and the unnecessary focus on Dracula’s resurrection detract from Blade’s character arc, making the film feel overcrowded and unfocused. While the action scenes are entertaining, the film’s lack of a coherent storyline and the overabundance of subplots make it a lackluster addition to the series.